There isn’t much to say about the fantastic paintings Costa Dvorezky creates that they don’t say for themselves. Â I didn’t even have to say fantastic, but I really wanted to.
Archive for April, 2008
Costa Dvorezky
Friday, April 18th, 2008Aron Wiesenfeld
Thursday, April 17th, 2008Tom Neely
Wednesday, April 16th, 2008Tom Neely’s watercolours are reminiscent of old watercolour stills from Disney cartoons, back before computers took over the animation. Â Only Neely’s themes are a bit darker, and occasionally a bit more graphic, nudity wise that is. Â
Speaking of graphic (how’s that for a segue!) Neely happens to have a graphic novel out (available on his site.) Â I know, I know, this is “Paint”Blog, not “GraphicNovel”Blog, but hey, I couldn’t resist. Â I bought a copy last year at the Toronto Comics Art Festival, and it is fantastic!Â
Matt Bahen
Tuesday, April 15th, 2008Matt Bahen applies his paint thick and rough, which seems very appropriate for the war imagery he creates in his work.  His paintings don’t focus on the violence, but concentrate instead on the lengthy time spent setting up and waiting for the battles.  These quiet moments possess their own brand of intensity, as do the paintings themselves.
Thanks to David for the link.
Robert Bellm
Monday, April 14th, 2008Rita Vindedzis
Sunday, April 13th, 2008Marci Washington
Saturday, April 12th, 2008Jenny Brillhart
Friday, April 11th, 2008Visiting Jenny Brillhart’s site for the first time was an emotional event for me.  First there was love, love for the work because it is amazing.  Then came bitter jealousy, which happens whenever I see someone doing something I wish I had done first.  Then back to love, because hey, they’re great paintings.
Jill Moser
Thursday, April 10th, 2008I have to admit, I am biased towards representational paintings, especially ones that seem to be telling a story.  That doesn’t mean however that I am incapable of appreciating work that doesn’t fit into this category.  In fact, I am quite blown away by Jill Moser’s paintings, and they aren’t typical representational paintings at all. Â
Of course, the argument could be made that they are just as representational as a landscape or portrait, they just represent something different, but that’s a topic for another day. Â Today, let’s just enjoy the work.